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Unknown
First published: March 1, 2026 - Last updated: March 1, 2026
TITLE INFORMATION
Authors: Irma Dwi Yulianti, Endang Waryanti
Title: Gender Perspective in the Film “Penyalin Cahaya” by Wregas Bhanuteja
Subtitle: -
Journal: Asa Jurnal Penelitian Pendidikan Dan Pembelajaran
Volume: 2
Issue: 2
Year: August 2025 - January 2026
Pages: 1-19
pISSN: 3063-5365 -
Find a Library: WorldCat |
eISSN: 3063-0320 -
Find a Library: WorldCat
Language: English
Keywords:
Modern History:
21st Century |
Asian History:
Indonesian History |
Types:
Sexual Harassment;
Representations:
Films /
Penyalin Cahaya
FULL TEXT
Link:
CV Srikandi Kreatif Nusantara (Free Access)
ADDITIONAL INFORMATION
Authors:
-
Irma Dwi Yulianti:
ORCID
-
Sujarwoko Sujarwoko:
ORCID
-
Endang Waryanti:
Google Scholar,
ORCID,
ReserchGate
Abstract:
»This study analyzes the structural aspects and gender perspectives in Wregas Bhanuteja's film “Penyalin Cahaya” using a feminist approach. The focus of the structural study includes themes, characterization, and conflict; while the gender perspective covers issues of marginalization, stereotypes, and violence against women. The study uses a qualitative method with the researcher as the main instrument. Primary data consists of excerpts from dialogue and film visuals, while secondary data comes from supporting references. Analysis techniques include data transcription, categorization, and interpretation. Data validity is guaranteed through theoretical triangulation. The results show that the film's main theme is the struggle against sexual harassment on campus, with additional themes such as victim powerlessness, power inequality, and social pressure. The main character is portrayed as consistently good (flat character), while the supporting characters are complex (round character). Internal and external conflicts reflect the psychological burden and institutional pressure on the victim. From a feminist perspective, the film critiques the marginalization of women, the perpetuation of gender stereotypes in educational institutions, and the normalization of sexual violence. “Penyalin Cahaya” not only conveys a personal narrative but also voices sharp criticism of gender injustice and systemic practices that oppress women.«
(Source: Asa Jurnal Penelitian Pendidikan Dan Pembelajaran)
Contents:
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Abstract (p. 92) |
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Introduction (p. 92) |
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Method (p. 95) |
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Results and Discussion (p. 96) |
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Description of Structural Aspects in the Film “Penyalin Cahaya” by Wregas Bhanuteja (p. 96) |
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Theme in the film “Penyalin Cahaya” by Wregas Bhanuteja (p. 97) |
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Major Themes (p. 97) |
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Minor Themes (p. 98) |
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Characterization and Character in the Film "Penyalin Cahaya" by Wregas Bhanuteja (p. 99) |
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Characterization (p. 99) |
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Main Character (p. 99) |
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Supporting Characters (p. 100) |
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Subordinate Characters (p. 100) |
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Character (p. 101) |
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Flat Character (p. 102) |
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Round Characters (p. 102) |
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Conflict in the Film "Penyalin Cahaya" by Wregas Bhanuteja (p. 103) |
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Internal Conflict (p. 104) |
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External Conflict (p. 104) |
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Description of the Gender Perspective Aspect in the Film “Penyalin Cahaya” by Wregas Bhanuteja (p. 105) |
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Description of Gender Injustice and Marginalization in the Film “Penyalin Cahaya” by Wregas Bhanuteja (p. 106) |
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Description of Gender Injustice and Stereotypes in the Film “Penyalin Cahaya” by Wregas Bhanuteja (p. 106) |
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Description of Gender Injustice and Violence in the Film “Penyalin Cahaya” by Wregas Bhanuteja (p. 107) |
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Conclusion (p. 108) |
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References (p. 109) |
Wikipedia:
History of Asia:
History of Indonesia /
Post-Suharto era in Indonesia |
Film:
Wregas Bhanuteja /
Photocopier (film) |
Sex and the law:
Sexual harassment
|